Confiteria Style — May refer to a smooth and simple Salon Style as in Tango Liso or to Milonguero Style.Corrida — (also: corridita, a little run) from correr: to run. Corrida Garabito — A milonga step in which the couple alternately step through between each other, the man with his right leg and the lady mirroring with her left in espejo, then pivot to face each other as they step together. Corte — Cut: In tango, corte means cutting the music either by syncopating, or by holding for several beats.

A very close embrace was used as well as some unique posture and footwork elements. Also see Stephen Brown's Styles of Argentine Tango. It refers to somebody or something from the slums, i.e. It also describes a gathering where people from the slums dance.

It is also a certain way to perform or dance the tango with a slum attitude.

Baldosa — A walking box figure named after the black & white checkerboard tile floors which are common in Buenos Aires. Barrida — A sweep; a sweeping motion: One partner’s foot sweeps the other’s foot and places it without losing contact.

Another style requires stretching the working leg, placing the foot, and then taking the body over the new supporting foot regardless of direction.

May refer to a position in which the torso is erect over a flexed supporting leg with the working leg extended forward to a pointe with the knees together which the man assumes when touching the lady’s foot with his in parada.

The lady moves to the same position from parada as the man closes over her working foot in mordida, and pivots on her supporting foot in this position whenever the man leads an outside barrida. Desplazamiento — Displacement: Displacing the partner’s leg or foot using one’s own leg or foot. Dibujo — Drawing; sketch: A dibujo is done by drawing circles or other small movements on the floor with one’s toe. 8-Count Basic (Academic Basic) — The first figure usually taught to beginning students after the walking steps. The 8-count basic includes elements which are used throughout the dance, although the complete figure itself is not much used for dancing socially.Also, the man may settle on his right leg, placing the lady on her left, quickly extending his left leg to his left side to point then closing back to his right leg without weight, as the lady mirrors his action with her right leg.Or the man may step through with his right leg between the partners, leading the lady to mirror his action (espejo) by stepping through with her left leg, remaining in closed position although briefly resembling promenade position. The man steps side left, the lady side right, with the man stepping slightly further than the lady. The man steps forward right in outside right position keeping his upper body turned toward the lady in contra-body, the lady back left paralleling the man and also in contra-body. The man closes his left foot to his right with weight, the lady her right foot to her left.May also refer to a variety of dramatic poses featuring erect posture, flexed supporting legs, and extended dance lines by both dancers, used as a finale. Cortina — Curtain: A brief musical interlude between tandas at a milonga. The name refers to counts in music, however, the man is not constrained to rigidly mark a step on each count or beat of the rhythm.Contrapaso — A step produced when you lock one foot behind the other. Cuadrado — A square; A box step: Used mostly in Milonga, Canyengue and Milonguero- and Club-style tango. Cuartas — Poses: Dance lines struck and held as dramatic flourishes at the end of a song. He is free to hold or to syncopate, or cut the beat, as the music moves him or as space on the floor around him allows.For instance right foot steps forward, left foot locks behind right. This can be done in single or double time, in one instance or repetitively. Crossed Feet — Occurs whenever the couple are stepping together on his and her right feet and then on his and her left feet, regardless of direction. Cruzada — From cruzar - to cross; the cross: A cruzada occurs any time a foot is crossed in front of or in back of the other. Large dramatic ones are used for stage or fantasia dancing, smaller softer versions occasionally in Salon style, and not used in Milonguero style at all. Cuatro — A figure created when the lady flicks her lower leg up the outside of the opposite leg, keeping her knees together, and briefly creating a numeral 4 in profile. A lifting of the lady’s foot with a gentle scooping motion by the man’s foot to the lady’s shoe, usually led during forward ochos to create a flicking motion of the lady’s leg. Cunita — Cradle: A forward and backward rocking step done in time with the music and with or without chiches, which is useful for marking time or changing direction in a small space. The figure may be danced into or out of at various points and is not always entered at the beginning and there are shortcuts within the 8-count basic.